Schloss Critical Review

Schloss explores the meanings of and reasons behind the existence of a historically consistent b-boy "canon," using a great deal of testimonials from members of the scene. That, in addition to his abundant reflexivity, are two strengths of his approach. His findings begin with musical elements required for the dance to happen and passing of knowledge from teacher to student, but then get much deeper. Having a select cannon enables b-boys and b-girls to know each song deeply, to know when to change what they are doing and know when to throw burners. Another is that by studying the songs for so much time, the body develops an automatic physical reaction, which is key to the energy and improvisation in b-boying. Additionally, having a b-boy "canon," much like a set of jazz "standards," enables participants to measure themselves on the same playing field, and compare themselves historically, both personally and with other people. Repetition of these "standards" also breeds a fluency with the language the performers are trying to speak, be it musical or physical. Finally, a spiritual respect for the original b-boys' choices, not unlike American's respect for those of founding fathers, implores b-boys and b-girls to study and dance to them.

Discussion Question: The latter part of the article focuses on DJs, whose decisions are made largely based on what the audience wants (or seems to want). Is/was that attitude/priority present elsewhere in hip hop? How do you think it influenced the genre? Is music an art, a performance, or a business? I am thinking art is creative expression (of one's emotions?), performance is a demonstration of skill (to an audience? for an audience? for the pleasure of an audience?), and business as an exchange of goods and services - are your definitions different? Apologies from taking a narrow topic and making it SO META.